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Original Link : http://www.bollywoodhungama.com/movies/review/14307/
By Taran Adarsh, August 11, 2011 - 11:43 IST
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A Pakash Jha film is talked about for more reasons than one. It provides food for thought. It sets you thinking. Be it DAMUL, MRITYUDAND, GANGAAJAL, APAHARAN or RAAJNEETI, there was enough fodder in each of those films. Besides, each of those films left an indelible impression on the minds of the viewer. So, quite naturally, the expectations from his new release AARAKSHAN are enormous. This one also tackles a rather serious social issue -- caste-based reservation. However, AARAKSHAN not only talks about reservation, but also about the commercialization of educational institutions.
Not many storytellers have repeatedly succeeded in creating pragmatic films on societal matters, but Jha holds the distinction of doing so in film after film. Be it DAMUL [on bonded labor], MRITYUDAND [on gender inequity], GANGAAJAL [also about the contentious blindingepisode at Bhagalpur], APAHARAN [on the abduction situation in Bihar] or RAAJNEETI [on the political state of affairs], Jha's cinema has always illustrated harsh realism in a transfixing and riveting manner.
Aarakshan Movie Rating:
4/5
The movie is small hit
Original Link : http://www.bollywoodhungama.com/movies/review/14307/
By Taran Adarsh, August 11, 2011 - 11:43 IST
Free Download Link: Coming soon
Total Collection : coming soon
A Pakash Jha film is talked about for more reasons than one. It provides food for thought. It sets you thinking. Be it DAMUL, MRITYUDAND, GANGAAJAL, APAHARAN or RAAJNEETI, there was enough fodder in each of those films. Besides, each of those films left an indelible impression on the minds of the viewer. So, quite naturally, the expectations from his new release AARAKSHAN are enormous. This one also tackles a rather serious social issue -- caste-based reservation. However, AARAKSHAN not only talks about reservation, but also about the commercialization of educational institutions.
Not many storytellers have repeatedly succeeded in creating pragmatic films on societal matters, but Jha holds the distinction of doing so in film after film. Be it DAMUL [on bonded labor], MRITYUDAND [on gender inequity], GANGAAJAL [also about the contentious blindingepisode at Bhagalpur], APAHARAN [on the abduction situation in Bihar] or RAAJNEETI [on the political state of affairs], Jha's cinema has always illustrated harsh realism in a transfixing and riveting manner.
4/5
The movie is small hit
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